With the rapid development of micro-dramas in recent years，their use for science popularization has been explored across multiple disciplines. However，there remain concerns about the sustainability of micro-drama content due to its rapid production and short lifespan. This article discusses the practical foundation and growth potential of science-popularization micro-dramas and proposes innovative insights for their content production from four perspectives: experimenting with novel narrative techniques，enhancing interactive experiences，integrating cross-disciplinary resources，and employing AI technologies to empower innovation in micro-drama production. Ensuring scientific accuracy and content sustainability will be a crucial focus for future research in digital science popularization.

In the animated series Bonnie Bears，19 robots are integrated into the main plots as a cultural phenomenon，creating works that differ from other mainstream domestic robot animations through a daily and secular perspective. The series mainly features two categories of robots：“narrative device”robots and“autonomous character”robots. From the perspective of robot humanities，this paper summarizes and analyzes the two categories of robot story creation in the Bonnie Bears animation series over the past 13 years and their characteristics. Based on the idea of“robot localization”in the series，it explores the possibility of constructing Chinese robot culture and provides cases for further analysis of the creation and research of“Chinese-style robots”.

The Chinese sci-fi series The Three-Body Problem has gained widespread attention from the publishing，film and television，cultural and creative industries. Over the past 16 years，it has been deeply developed as a science fiction IP，and its successful experience is worth analyzing and summarizing. This article traces the publication history of the simplified Chinese editions of The Three-Body Problem and its related books from 2008 to the present. It also analyzes the reader demographics of these publications. The value of the original work，changes in reader demand，product attributes，content dissemination forms，and the involvement of multiple stakeholders have all influenced the publishing evolution of this IP. The success of The Three-Body Problem is difficult to replicate，and other domestic science fiction IPs need to further explore their full-category publication strategies based on their unique circumstances.

The Wondrous Kingdom of Number is a representative work among Li Yupei’s scientific fairy tales themed around mathematics. Highlighting the theme of numbers，the work systematically popularizes mathematical knowledge，including integers，fractions，decimals，and algebra. It simultaneously promotes scientific thought centered around dialectical development and fully constructs a mathematical fairy-tale universe as a “secondary world.” Emphasizing interactive narrative techniques between the fairy-tale and real worlds，the book employs personification and concretization to enhance the vividness of the “Kingdom of Number，” creating an immersive and tangible fairy-tale experience. In terms of creative techniques，it adheres to the principle of child-centeredness by stressing a simple plot structure，narrative conflicts，and engaging storytelling. By using accessible scientific fairy tales to dissolve the rigidity of knowledge，the dissemination effect of mathematical concepts and scientific thought is optimized.

With the rapid advancement of artificial intelligence and brain-computer interface technologies，the evolving relationship between humans and technology，as well as the crisis of human subjectivity，has become unavoidable topics in contemporary humanities research. Among classic science fiction films，Kon Satoshi’s Paprika presents a representative vision of posthuman subjectivity. Through imaginative interactions between humans and brain-computer interfaces，spectacular representations of the metaverse，and the embodied construction of subjectivity，the film articulates a fluid，decentralized form of posthuman thought grounded in humanistic concern. Exploring and re-evaluating Paprika helps us reaffirm humanity’s unique subjective value as we approach the imminent era of general artificial intelligence and the posthuman future.

Imagined as intelligent beings with emotions，intellect, and even consciousness，robots have become an integral narrative element in the ideological practice of Chinese online science fiction. Chinese cyber science fiction has crafted five distinct robot archetypes and，through exceptional discursive practices，presented the multifaceted possibilities of robot narratives. These narratives serve to construct complex and nuanced human-machine relationships，encompassing emotional，moral，and ethical dimensions. The robot narratives in online science fiction novels highlight the artistic imagination and ethical construction of Chinese online writers in response to the scientific and technological changes of contemporary society. They also reveal the ethical dilemmas and poetic reflections that arise as human civilization confronts the development of robot technology and the evolving dynamics of human-machine interactions. As such，exploring and analyzing the ethical mechanisms and social impact of robot narratives in network science fiction novels holds significant theoretical value for the development and transformation of science fiction literature.

As China’s first documentary-style variety show focused on agriculture，Become a Farmer explores an innovative practical approach to rural revitalization and science popularization within domestic variety programs. The show effectively incorporates agricultural science knowledge through multiple dimensions，including exploring science popularization themes，constructing engaging scenarios，reconstructing narratives，and enhancing communicative effects. It successfully achieves immersive and panoramic dissemination of professional agricultural knowledge to the public. The experiences from this program offer valuable insights for innovation in science popularization narratives among domestic variety shows.

Mathematical popularization serves as a vital means of disseminating mathematical knowledge and cultural insights，helping the public grasp mathematical fundamentals while inspiring a passion for the subject. This，in turn，promotes broader applications and advances in mathematics across various fields. As an outstanding representative in mathematics popularization，Wang Juncen’s works continue to be regarded as classics. In 2022，his renowned series was republished as Fun Mathematics for Children. Employing familiar examples，the series creates an engaging atmosphere，conveying mathematical concepts through concise，dialectically unified storytelling. Mathematical popular science writers can derive numerous insights from Wang’s works，including his extensive and vivid content selection，lively modes of expression，dialectical cohesion of knowledge，and skillful narrative integration.