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With the rapid advancement of artificial intelligence and brain-computer interface technologies，the evolving relationship between humans and technology，as well as the crisis of human subjectivity，has become unavoidable topics in contemporary humanities research. Among classic science fiction films，Kon Satoshi’s Paprika presents a representative vision of posthuman subjectivity. Through imaginative interactions between humans and brain-computer interfaces，spectacular representations of the metaverse，and the embodied construction of subjectivity，the film articulates a fluid，decentralized form of posthuman thought grounded in humanistic concern. Exploring and re-evaluating Paprika helps us reaffirm humanity’s unique subjective value as we approach the imminent era of general artificial intelligence and the posthuman future.
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| 科 Family | 属数 Number of genus | 种数 Number of species | 占总种数比例 Percentage of total species (%) | 属 Genus | 种数 Number of species | 占总种数比例 Percentage of total species (%) |
|---|---|---|---|---|---|---|
| 鹅膏菌科Amanitaceae | 2 | 11 | 5.26 | 鹅膏菌属 Amanita | 10 | 4.78 |
| 小菇科 Mycenaceae | 2 | 12 | 5.74 | 丝盖伞属 Inocybe | 5 | 2.39 |
| 多孔菌科 Polyporaceae | 8 | 14 | 6.70 | 蜡蘑属 Laccaria | 5 | 2.39 |
| 红菇科 Russulaceae | 3 | 23 | 11.00 | 小皮伞属 Marasmius | 6 | 2.87 |
| 小菇属 Mycena | 11 | 5.26 | ||||
| 光柄菇属 Pluteus | 5 | 2.39 | ||||
| 红菇属 Russula | 17 | 8.13 | ||||
| 栓菌属 Trametes | 5 | 2.39 |
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