Literary children’s science fiction calls for works that are both literary and scientific. Zhang Zhilu，with his delicate emotions，intricate plots, and elements of science fiction，has promoted the development of literary children’s science fiction and brought many classic science fiction novels and films to young people. Since the 21st century，Ma Chuansi’s works have been constructed and developed along the path of literary children’s science fiction. Ma Chuanyi gallops through the real and imaginary worlds with poetic language，cares for the grand narratives of contemporary times from a delicate child’s perspective，deeply explores the philosophy in the current reality and science fiction world，and strives to create excellent children’s science fiction literature for children that is full of unique life experiences and emotional care. His works have played a bridging role in the division of the 21st century children’s science fiction category and the development of literary children’s science fiction.

In the animated series Bonnie Bears，19 robots are integrated into the main plots as a cultural phenomenon，creating works that differ from other mainstream domestic robot animations through a daily and secular perspective. The series mainly features two categories of robots：“narrative device”robots and“autonomous character”robots. From the perspective of robot humanities，this paper summarizes and analyzes the two categories of robot story creation in the Bonnie Bears animation series over the past 13 years and their characteristics. Based on the idea of“robot localization”in the series，it explores the possibility of constructing Chinese robot culture and provides cases for further analysis of the creation and research of“Chinese-style robots”.