In 1627, Kepler published the astronomical work Rudolphine Tables. The frontispiece, "The Temple of Urania, " designed personally by the author, embodies a unique narrative style in the history of science. This image can be regarded as an independent, comprehensive work of art and cultural significance in the history of science, akin to an "astronomical museum" showcasing the development of European astronomy before the seventeenth century. This paper takes this image as a case study, viewing it as a special form capable of disseminating and popularizing the history of science. It analyzes its creative mechanism and characteristics, aiming to enhance current discussions on the popularization of the history of science and provide inspiration for popular science creation in broader fields.
| 科 Family | 属数 Number of genus | 种数 Number of species | 占总种数比例 Percentage of total species (%) | 属 Genus | 种数 Number of species | 占总种数比例 Percentage of total species (%) |
|---|---|---|---|---|---|---|
| 鹅膏菌科Amanitaceae | 2 | 11 | 5.26 | 鹅膏菌属 Amanita | 10 | 4.78 |
| 小菇科 Mycenaceae | 2 | 12 | 5.74 | 丝盖伞属 Inocybe | 5 | 2.39 |
| 多孔菌科 Polyporaceae | 8 | 14 | 6.70 | 蜡蘑属 Laccaria | 5 | 2.39 |
| 红菇科 Russulaceae | 3 | 23 | 11.00 | 小皮伞属 Marasmius | 6 | 2.87 |
| 小菇属 Mycena | 11 | 5.26 | ||||
| 光柄菇属 Pluteus | 5 | 2.39 | ||||
| 红菇属 Russula | 17 | 8.13 | ||||
| 栓菌属 Trametes | 5 | 2.39 |