中国园林

《中国园林览胜》解读：包爱兰序列摄影下的园林阐释

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赵伊莉 , 洪泉 ^* , 唐慧超

中国园林 | 风景园林文史哲 2026,42(3): 145-152

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中国园林 |风景园林文史哲 2026 , 42 (3) : 145 -152

《中国园林览胜》解读：包爱兰序列摄影下的园林阐释

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ZHAO Yili, female, born in 1999 in Wenzhou of Zhejiang Province, Master's degree of Landscape Architecture, College of Landscape Architecture, Zhejiang Agriculture and Forestry University, research area: landscape history and theory (Hangzhou 311300)

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赵伊莉　1999年生/女/浙江温州人/浙江农林大学风景园林与建筑学院硕士/研究方向为风景园林历史与理论（杭州 311300）

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赵伊莉　1999年生/女/浙江温州人/浙江农林大学风景园林与建筑学院硕士/研究方向为风景园林历史与理论（杭州 311300）

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HONG Quan, male, born in 1984, from Chun'an, Zhejiang Province, Ph.D., Professor at Zhejiang Province Key Think Tank: Institute of Ecological Civilization, College of Landscape Architecture, Zhejiang Agriculture and Forestry University, research area: landscape history and theory, digital technology in landscape architecture (Hangzhou 311300)

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洪泉　1984年生/男/浙江淳安人/博士/浙江农林大学风景园林与建筑学院、浙江省新型重点专业智库——浙江农林大学生态文明研究院教授/研究方向为风景园林历史与理论、风景园林数字技术（杭州 311300）

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TANG Huichao, female, born in 1984 in Tianjin, Associate Professor at Zhejiang Province Key Think Tank: Institute of Ecological Civilization, College of Landscape Architecture, Zhejiang Agriculture and Forestry University, research area: landscape history theory, landscape heritage perception and evaluation, and landscape performance evaluation (Hangzhou 311300)

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唐慧超　1984年生/女/天津人/浙江农林大学风景园林与建筑学院、浙江省新型重点专业智库——浙江农林大学生态文明研究院副教授/研究方向为风景园林历史理论、景观遗产感知与评价、景观绩效评价（杭州 311300）

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赵伊莉, 洪泉^*, 唐慧超

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^* E-mail: hongquan@zafu.edu.cn

作者简介:

赵伊莉　1999年生/女/浙江温州人/浙江农林大学风景园林与建筑学院硕士/研究方向为风景园林历史与理论（杭州 311300）

Interpretation of In the Chinese Garden: Garden Explanation under the Sequence Photography of Florence Lee Powell

Yili ZHAO, Quan HONG^*, Huichao TANG

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出版时间: 2026-03-10 doi: 10.19775/j.cla.2026.03.0145

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摘要

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西方对中国园林的认知随着传播途径的变化经历了褒扬-贬损-理性的过程，20世纪初期对建筑的专门考察及摄影术的利用开启了西方对中国园林理性研究的序幕，陆续涌现出许多园林专著，其中包括包爱兰撰写的《中国园林览胜》。该书通过地图、照片与文字结合的叙述方式为西方读者提供了一次在纸上游览中国园林的机会，开创了一种以序列摄影介绍中国园林的独特方式。旨在从跨文化传播的视角，从作者生平、写作目的、篇章结构、论述方式、照片使用等角度解析该著作，并探讨其创新与价值。

关键词

风景园林 / 中国园林 / 跨文化 / 包爱兰 / 《中国园林览胜》 / 留园 / 狮子林

Abstract

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The cognitive process of Chinese gardens in the West is like a painting of ups and downs. With the changes of the times and the evolution of communication channels, it has gone through a tortuous process from praise to criticism, and finally returned to rationality. In this long and complex journey of cognition, the turning point of the early 20th century was particularly crucial. With the specialized investigation of architectural art and the widespread application of photography technology, the Western academic community opened a new chapter in the study of Chinese gardens, and a series of garden monographs emerged one after another. Among them, Florence Lee Powell's In the Chinese Garden became a brilliant pearl in the history of cross-cultural communication with its unique perspective and presentation. This paper aims to deeply analyze the unique position and value of the book In the Chinese Garden in the Western understanding of Chinese gardens from the perspective of cross-cultural communication, by examining the author's life, writing purpose, discourse structure, discourse style, and the use of photographs. By examining the research of Florence Lee Powell, we can have a more comprehensive, fair, and objective understanding of the profound cultural heritage of Chinese gardens. Florence Lee Powell, a foreign teacher with an infinite passion for Chinese culture, was deeply attracted to Chinese culture during her teaching period at Suzhou Jinghai Women's Normal School in 1926, and began to explore and record Chinese gardens in depth. She captured the beauty of Suzhou Lingering Garden and Lion Grove Garden with her feminine delicacy and sensitivity, engraving every detail of these two classic gardens into the memory of history. In 1943, she compiled these precious images and profound insights into a formal book for publication. This work is not only a heartfelt tribute to Chinese garden art, but also a successful practice in cross-cultural dialogue, opening a unique window for Western readers to explore the beauty of Chinese gardens. In terms of discourse structure, In the Chinese Garden demonstrates a rigorous academic style and clear logical clues. At the beginning, Florence Lee Powell sincerely explained the original intention and historical background of writing this book, laying a guiding stone for readers to reach the hall of Chinese classical garden art. Subsequently, as an almost tour guide, she led readers to explore the deep secrets of the Lingering Garden and Lion Grove Garden step by step according to the actual tour route. The clever combination of floor plans and sequence photos in the book makes readers feel as if they are walking among the gardens themselves. They can not only intuitively feel the ingenuity and harmony of the garden layout, but also understand the profound cultural connotations and symbolic meanings behind each scenery through delicate and meticulous textual explanations. This narrative strategy, which combines graphics and text, greatly enhances the readability and attractiveness of books, providing Western readers with an unprecedented perspective to understand and appreciate the subtleties of Chinese garden art. In the application and analysis of photos, Florence Lee Powell demonstrated extraordinary aesthetic insight. She is skilled in using central composition techniques, cleverly utilizing doors, windows, doorways, and even natural branches in the garden as the framework of the picture, not only guiding the viewer's visual focus, but also endowing the photo with deeper aesthetic connotations. By accurately capturing the details of the garden, whether it is the intricate textures on the rockery, the exquisite patterns on the leaky windows, or even the delicate tiles on the roof, they are all recorded one by one by Florence Lee Powell's lens, allowing Western readers to experience the delicacy and delicacy of Chinese gardens up close, as if crossing time and space, and personally touching the physical objects that carry heavy historical and cultural memories, experiencing a spiritual baptism and cultural exploration. The innovative value of In the Chinese Garden is not only reflected in filling the gap in Western research on the Chinese landscape system, but more importantly, as a successful case of cross-cultural communication, it provides valuable methodological inspiration for later scholars and researchers. The combination of sequential photography and textual description used in the book not only deepens the Western world's understanding and appreciation of Chinese garden art, but also opens up new paths for the fields of garden photography, recording, and analysis. This work builds a bridge connecting Eastern and Western cultures through its unique discourse logic and rich visual materials, promoting mutual understanding and respect between the two civilizations. To this day, In the Chinese Garden still shines with its immortal academic brilliance and cultural value. The photos in the book, as precious historical witnesses, not only provide intuitive visual materials for scholars to study the historical evolution of Chinese gardens, but also provide important references for the protection, restoration, and inheritance of modern gardens. In the wave of globalization, we must cherish and inherit this cultural treasure that transcends national borders, so that the unique charm of Chinese gardens can continue to shine on the stage of world culture and become a common spiritual wealth of all mankind.

Key words

landscape architecture / Chinese garden / cross-cultural / Florence Lee Powell / In the Chinese Garden / Lingering Garden / Lion Grove Garden

引用本文

赵伊莉, 洪泉, 唐慧超. 《中国园林览胜》解读：包爱兰序列摄影下的园林阐释. 中国园林, 2026 , 42 (3) : 145 -152 . DOI: 10.19775/j.cla.2026.03.0145

Yili ZHAO, Quan HONG, Huichao TANG. Interpretation of In the Chinese Garden: Garden Explanation under the Sequence Photography of Florence Lee Powell[J]. Chinese Landscape Architecture, 2026 , 42 (3) : 145 -152 . DOI: 10.19775/j.cla.2026.03.0145

基金

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教育部人文社科研究规划基金项目(22YJA760029)

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2026年第42卷第3期

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doi: 10.19775/j.cla.2026.03.0145

接收时间：2024-05-21
首发时间：2026-07-08
出版时间：2026-03-10

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收稿日期：2024-05-21
修回日期：2024-08-12

基金

教育部人文社科研究规划基金项目(22YJA760029)

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^* E-mail: hongquan@zafu.edu.cn

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https://castjournals.cast.org.cn/joweb/zgyl/CN/10.19775/j.cla.2026.03.0145

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2种不同金属材料的力学参数

科 Family	属数 Number of genus	种数 Number of species	占总种数比例 Percentage of total species (%)	属 Genus	种数 Number of species	占总种数比例 Percentage of total species (%)
鹅膏菌科Amanitaceae	2	11	5.26	鹅膏菌属 Amanita	10	4.78
小菇科 Mycenaceae	2	12	5.74	丝盖伞属 Inocybe	5	2.39
多孔菌科 Polyporaceae	8	14	6.70	蜡蘑属 Laccaria	5	2.39
红菇科 Russulaceae	3	23	11.00	小皮伞属 Marasmius	6	2.87
				小菇属 Mycena	11	5.26
				光柄菇属 Pluteus	5	2.39
				红菇属 Russula	17	8.13
				栓菌属 Trametes	5	2.39

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