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Today’s museums are much more than repositories for the preservation of ancient artifacts. They are served as centers for learning, community centers, and even places for an exchange of ideas and discussions. We now understand that a museum visit is not simply an encounter for an eager visiting public who soaks up the knowledge articulated by the curatorial team. The museum experience is more about a multi-layered journey which is proprioceptive, sensory, intellectual, aesthetic, and social. In that context, this paper takes the case on fishermen’s daily life multisensory area in the folk exhibition of Taizhou Museum as an example, integrates the qualitative and quantitative research approaches in museum and analyzes the practical effect and relative merits of the multi-senses used in this exhibition through the lens of the cognitive effect and communication evaluation. Accordingly, museums should be more concerned with the combination and complex interaction between “body” and experience, as well as visual, auditory, olfactory, taste, and proprioceptive experiences and focus on the potential impact on museum visitors in cognitive, emotional and other aspects. In a nutshell, the above-mentioned suggestion is serving as an important direction for the future development of museums, and also a key and valued point of this paper.

, authors=Siyi Wang*, authorsList=Siyi Wang, authorCompany=null, correspAuthors=Siyi Wang, authorNote=null, correspAuthorsNote=null, copyrightStatement=null, copyrightOwner=null, extLink=null, articleAbsUrl=null, sourceXml=null, magXml=null, pdfUrl=null, pdf=null, pdfFileSize=null, pdfExtLink=null, richHtmlUrl=null, mobilePdfUrl=null, reviewReport=null, pdfFirstPage=null, abstractGraph=null, abstractGraphContent=null, abstractVideo=null, citation=null, cebUrl=null, magXmlContent=null, mapNumber=null, fund=null), CN=ArticleExt(id=1289649226397360253, articleId=1289649225977929851, tenantId=1146029695717560320, journalId=1149652312894775300, language=CN, title=多感官在博物馆展览中的认知评述和传播效果探析——以台州博物馆民俗展厅“海滨之民”多感官展项为例, columnId=1288940549910668083, journalTitle=科普研究, columnName=实践新知, runingTitle=null, highlight=null, articleAbstract=

如今的博物馆功能已并非局限于保存、展示文物,它可以是学习中心、社区活动中心,同时也是人们思考和交流的场所。博物馆的参观过程已经不再是观众被动地吸收策展人精心设计的知识架构,而是更加注重涉及感官、知识、美学及社会等方面的多层次体验。在此背景下,本文以台州博物馆民俗展厅“海滨之民”多感官展项为例,采用质化与量化相结合的调查方法,从多感官在该展览中的认知效果与对信息传播的评估来分析多感官的实际效用及优缺点。从而反映博物馆应更多地考虑“身体”与体验以及触觉、听觉、嗅觉、味觉、本体感觉等感官体验之间的组合与复杂交互,关注其对观众在认知、情感、信息传播等方面的潜在影响,这是博物馆未来发展的重要方向,也是本文的价值所在。

, authors=王思怡*, authorsList=王思怡, authorCompany=null, correspAuthors=王思怡, authorNote=null, correspAuthorsNote=
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多感官在博物馆展览中的认知评述和传播效果探析——以台州博物馆民俗展厅“海滨之民”多感官展项为例
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王思怡 *
科普研究 | 实践新知 2017,12(3): 46-57
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科普研究 |实践新知 2017 , 12 (3) : 46 -57
多感官在博物馆展览中的认知评述和传播效果探析——以台州博物馆民俗展厅“海滨之民”多感官展项为例
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王思怡*
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  • 浙江大学文化遗产与博物馆学研究所,杭州 310028
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On a Discussion of Cognitive Review and Communication Effect for Multi-senses Used in Museum Exhibition: A Case Study on Fishermen’s Daily Life Multisensory Area in the Folk Exhibition of Taizhou Museum
Siyi Wang*
Affiliations
  • Faculty of Cultural Heritage and Museum Studies, Zhejiang University, Hangzhou 310028
出版时间: 2017-06-10 doi: 10.19293/j.cnki.1673-8357.2017.03.007
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如今的博物馆功能已并非局限于保存、展示文物,它可以是学习中心、社区活动中心,同时也是人们思考和交流的场所。博物馆的参观过程已经不再是观众被动地吸收策展人精心设计的知识架构,而是更加注重涉及感官、知识、美学及社会等方面的多层次体验。在此背景下,本文以台州博物馆民俗展厅“海滨之民”多感官展项为例,采用质化与量化相结合的调查方法,从多感官在该展览中的认知效果与对信息传播的评估来分析多感官的实际效用及优缺点。从而反映博物馆应更多地考虑“身体”与体验以及触觉、听觉、嗅觉、味觉、本体感觉等感官体验之间的组合与复杂交互,关注其对观众在认知、情感、信息传播等方面的潜在影响,这是博物馆未来发展的重要方向,也是本文的价值所在。

博物馆体验  /  多感官  /  现象  /  评估  /  情感认知

Today’s museums are much more than repositories for the preservation of ancient artifacts. They are served as centers for learning, community centers, and even places for an exchange of ideas and discussions. We now understand that a museum visit is not simply an encounter for an eager visiting public who soaks up the knowledge articulated by the curatorial team. The museum experience is more about a multi-layered journey which is proprioceptive, sensory, intellectual, aesthetic, and social. In that context, this paper takes the case on fishermen’s daily life multisensory area in the folk exhibition of Taizhou Museum as an example, integrates the qualitative and quantitative research approaches in museum and analyzes the practical effect and relative merits of the multi-senses used in this exhibition through the lens of the cognitive effect and communication evaluation. Accordingly, museums should be more concerned with the combination and complex interaction between “body” and experience, as well as visual, auditory, olfactory, taste, and proprioceptive experiences and focus on the potential impact on museum visitors in cognitive, emotional and other aspects. In a nutshell, the above-mentioned suggestion is serving as an important direction for the future development of museums, and also a key and valued point of this paper.

museum experience  /  multisensory  /  phenomenon  /  evaluation  /  emotional cognition
王思怡. 多感官在博物馆展览中的认知评述和传播效果探析——以台州博物馆民俗展厅“海滨之民”多感官展项为例. 科普研究, 2017 , 12 (3) : 46 -57 . DOI: 10.19293/j.cnki.1673-8357.2017.03.007
Siyi Wang. On a Discussion of Cognitive Review and Communication Effect for Multi-senses Used in Museum Exhibition: A Case Study on Fishermen’s Daily Life Multisensory Area in the Folk Exhibition of Taizhou Museum[J]. Studies on Science Popularization, 2017 , 12 (3) : 46 -57 . DOI: 10.19293/j.cnki.1673-8357.2017.03.007

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doi: 10.19293/j.cnki.1673-8357.2017.03.007
  • 接收时间:2017-03-04
  • 首发时间:2026-07-30
  • 出版时间:2017-06-10
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    浙江大学文化遗产与博物馆学研究所,杭州 310028

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2种不同金属材料的力学参数

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Number of
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鹅膏菌科Amanitaceae 2 11 5.26 鹅膏菌属 Amanita 10 4.78
小菇科 Mycenaceae 2 12 5.74 丝盖伞属 Inocybe 5 2.39
多孔菌科 Polyporaceae 8 14 6.70 蜡蘑属 Laccaria 5 2.39
红菇科 Russulaceae 3 23 11.00 小皮伞属 Marasmius 6 2.87
小菇属 Mycena 11 5.26
光柄菇属 Pluteus 5 2.39
红菇属 Russula 17 8.13
栓菌属 Trametes 5 2.39
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