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Science fiction film and television works connect society, science and technology and culture through their unique medium, reflecting a nation's filmmaking industry and its capacity for future-oriented imagination. In its screen adaptation, Liu Cixin's The Three-Body Problem faced significant challenges in cross-cultural communication and value translation. Both TV adaptations successfully navigated these issues through cross-media strategies, preserving the core philosophical themes while making adjustments for the global market to enhance their international appeal. The Tencent version prioritized the faithful recreation of the novel's philosophical depth and cultural origins, whereas the Netflix version achieved international reach with a global perspective and a fast-paced narrative, thereby expanding the cultural influence and commercial value of the The Three-Body Problem IP. The adaptation of The Three-Body Problem not only demonstrates the global potential of Chinese sci-fi but also offers key insights for cross-media adaptation and international communication.

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科幻影视作品以其独特的媒介属性，连接社会、科技与文化，反映国家影视工业与未来想象水平。刘慈欣的《三体》在影视化过程中面临跨文化传播与价值转译的挑战。两版电视剧《三体》通过跨媒介改编，保留原著思想核心，并针对国际市场进行调整，增强了全球吸引力。其中，腾讯版注重还原原著哲学深度，凸显文化本源；奈飞版以全球化视角和快节奏叙事实现国际化传播，拓展了《三体》IP的文化影响力与商业价值。《三体》的改编实践不仅展示了中国科幻作品的全球传播潜力，也为跨媒介改编与国际传播提供了重要启示。

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