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The cityscape of cyberpunk films is characterized by the pastiche of different oriental elements. The spatial construction of cyberpunk cities is not only an aesthetic statement, but also an expression of power structures and spatial politics. It reflects the fantasy and anxiety of Euro-centralism towards the "East", and this spatial imaginary is endowed with different connotations with the changing global cultural landscape. From the 1980s to the 1990s, the orient elements were presented as a kind of aggressiveness and anxiety brought about by the structural reset of globalized capital, which is a symbol of the Western fear of city cultural hybridity and racial cohabitation. Starting at the 1990s, the hybridized oriental space in cyberpunk films was imbued with a cultural resistance meaning, providing a realm of "heterotopia" imagination imbued with liberation for the Western subjects oppressed by the technologized urban machine. In the latest cyberpunk films, the once heterotopian oriental space has been emptied of its resistance meaning and, as a geographical consumption element, has been implanted into the visual spectacle created by digital technology.

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东方景观元素是赛博朋克电影显著的视觉表征。科幻未来城市的空间构造不仅是一种美学风格表述,也传达出丰富的权力想象和空间政治逻辑。赛博朋克城市中的东方空间影射出西方中心主义对“东方”的隐秘幻想,而这种空间想象随着世界文化格局的变化被不断赋予新的内涵。20世纪80到90年代,赛博朋克城市幻景中的东方元素呈现出一种侵略性,其时全球化资本的结构重置带来的焦虑感被表述为对未来城市文化杂交和种族混居的恐惧。20世纪90年代末开始,赛博朋克电影中的混杂化东方空间被赋予文化抵制内涵,为处于科技化城市机器压迫下的欧美白人主体提供了一个蕴含解放意义的“异托邦”想象之域。而在近年来的赛博朋克电影作品中,曾经的异托邦东方空间被抽空其抵制意义,作为一种地理消费元素,被植入数字技术打造出的视觉奇观中。

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* 林伟,广州中医药大学外国语学院讲师,主要研究方向为英美小说、文化研究、电影研究。
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未来城市的东方魅影——赛博朋克电影的想象地理与空间政治
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林伟 *
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未来城市的东方魅影——赛博朋克电影的想象地理与空间政治
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林伟*
作者信息
  • 广州中医药大学外国语学院,广州 510403
通讯作者:
* 林伟,广州中医药大学外国语学院讲师,主要研究方向为英美小说、文化研究、电影研究。
Oriental Phantoms in Future Cities: Imaginary Geography and Spatial Politics in Cyberpunk Films
Wei Lin*
Affiliations
  • School of Foreign Studies, Guangzhou University of Chinese Medicine, Guangzhou 510403
出版时间: 2023-06-20 doi: 10.19957/j.cnki.kpczpl.2023.02.007
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东方景观元素是赛博朋克电影显著的视觉表征。科幻未来城市的空间构造不仅是一种美学风格表述,也传达出丰富的权力想象和空间政治逻辑。赛博朋克城市中的东方空间影射出西方中心主义对“东方”的隐秘幻想,而这种空间想象随着世界文化格局的变化被不断赋予新的内涵。20世纪80到90年代,赛博朋克城市幻景中的东方元素呈现出一种侵略性,其时全球化资本的结构重置带来的焦虑感被表述为对未来城市文化杂交和种族混居的恐惧。20世纪90年代末开始,赛博朋克电影中的混杂化东方空间被赋予文化抵制内涵,为处于科技化城市机器压迫下的欧美白人主体提供了一个蕴含解放意义的“异托邦”想象之域。而在近年来的赛博朋克电影作品中,曾经的异托邦东方空间被抽空其抵制意义,作为一种地理消费元素,被植入数字技术打造出的视觉奇观中。

赛博朋克城市  /  东方地理  /  空间政治  /  混杂性  /  异托邦

The cityscape of cyberpunk films is characterized by the pastiche of different oriental elements. The spatial construction of cyberpunk cities is not only an aesthetic statement, but also an expression of power structures and spatial politics. It reflects the fantasy and anxiety of Euro-centralism towards the "East", and this spatial imaginary is endowed with different connotations with the changing global cultural landscape. From the 1980s to the 1990s, the orient elements were presented as a kind of aggressiveness and anxiety brought about by the structural reset of globalized capital, which is a symbol of the Western fear of city cultural hybridity and racial cohabitation. Starting at the 1990s, the hybridized oriental space in cyberpunk films was imbued with a cultural resistance meaning, providing a realm of "heterotopia" imagination imbued with liberation for the Western subjects oppressed by the technologized urban machine. In the latest cyberpunk films, the once heterotopian oriental space has been emptied of its resistance meaning and, as a geographical consumption element, has been implanted into the visual spectacle created by digital technology.

cyberpunk city  /  oriental geography  /  spatial politics  /  hybridity  /  heterotopia
林伟. 未来城市的东方魅影——赛博朋克电影的想象地理与空间政治. 科普创作评论, 2023 , 3 (2) : 58 -67 . DOI: 10.19957/j.cnki.kpczpl.2023.02.007
Wei Lin. Oriental Phantoms in Future Cities: Imaginary Geography and Spatial Politics in Cyberpunk Films[J]. Science Writing Review, 2023 , 3 (2) : 58 -67 . DOI: 10.19957/j.cnki.kpczpl.2023.02.007

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doi: 10.19957/j.cnki.kpczpl.2023.02.007
  • 首发时间:2026-07-14
  • 出版时间:2023-06-20
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    广州中医药大学外国语学院,广州 510403

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* 林伟,广州中医药大学外国语学院讲师,主要研究方向为英美小说、文化研究、电影研究。
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2种不同金属材料的力学参数

Family
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Number of
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种数
Number of
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Percentage of
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Percentage of total
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鹅膏菌科Amanitaceae 2 11 5.26 鹅膏菌属 Amanita 10 4.78
小菇科 Mycenaceae 2 12 5.74 丝盖伞属 Inocybe 5 2.39
多孔菌科 Polyporaceae 8 14 6.70 蜡蘑属 Laccaria 5 2.39
红菇科 Russulaceae 3 23 11.00 小皮伞属 Marasmius 6 2.87
小菇属 Mycena 11 5.26
光柄菇属 Pluteus 5 2.39
红菇属 Russula 17 8.13
栓菌属 Trametes 5 2.39
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