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In William Gibson's cyberpunk series, homesickness and the longing to return home haunt the characters, especially in Neuromancer and Idoru, where the "wandering—homecoming" narrative pattern repeats. Both novels consider Japan as a place of wandering while regard America as home. By recalling the imagination of home and arranging the characters to return home, Neuromancer and Idoru reconsolidate the dichotomy of East and West, thereby presenting a retreating position that is contradictory to the "centerlessness" of the "cyber" and the subversive nature of "punk". Although in Idoru, the virtual "walled city" as a dream home for both human and virtual idols has the potential to break the East-West dichotomy, it also harbors the danger of romanticizing and exoticizing the East.

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留恋家园、渴望重返的情结在威廉·吉布森(William Gibson)的赛博朋克系列小说中有不同程度的体现,《神经漫游者》(Neuromancer)和《虚拟偶像爱朵露》(Idoru)中,“怀乡”症结尤为突出,“漂泊-归家”的叙事模式重复出现,且日本和美国都被置于漂泊和家园的两端。小说通过重新召唤家园想象并安排人物重返家园,巩固了“东方/西方”的对立结构,呈现出一种后撤姿态,与“赛博”的无中心性、“朋克”的颠覆性存在矛盾。《虚拟偶像爱朵露》中的虚拟“城寨”作为人和虚拟人共同安居的梦之家虽具有打破东西方二元对立的积极可能,却又潜藏着把东方空间再度传奇化和异域化的危险。

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赛博时代的“怀乡症”——以《神经漫游者》和《虚拟偶像爱朵露》为例
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张睿颖 *
科普创作评论 | 创作研究 2021,1(2): 73-80
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科普创作评论 |创作研究 2021 , 1 (2) : 73 -80
赛博时代的“怀乡症”——以《神经漫游者》和《虚拟偶像爱朵露》为例
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张睿颖*
作者信息
  • 复旦大学中国语言文学系,上海 200433
通讯作者:
* 张睿颖,复旦大学中国语言文学系硕士研究生,研究方向为现代中国科幻文学、现代中国历史小说。
"Homesickness" in the Cyber Era: A Case Study of Neuromancer and Idoru
Ruiying Zhang*
Affiliations
  • Department of Chinese Language and Literature, Fudan University, Shanghai 200433
出版时间: 2021-06-20 doi: 10.19957/j.cnki.kpczpl.2021.02.009
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留恋家园、渴望重返的情结在威廉·吉布森(William Gibson)的赛博朋克系列小说中有不同程度的体现,《神经漫游者》(Neuromancer)和《虚拟偶像爱朵露》(Idoru)中,“怀乡”症结尤为突出,“漂泊-归家”的叙事模式重复出现,且日本和美国都被置于漂泊和家园的两端。小说通过重新召唤家园想象并安排人物重返家园,巩固了“东方/西方”的对立结构,呈现出一种后撤姿态,与“赛博”的无中心性、“朋克”的颠覆性存在矛盾。《虚拟偶像爱朵露》中的虚拟“城寨”作为人和虚拟人共同安居的梦之家虽具有打破东西方二元对立的积极可能,却又潜藏着把东方空间再度传奇化和异域化的危险。

威廉·吉布森  /  《神经漫游者》  /  《虚拟偶像爱朵露》  /  赛博朋克  /  怀乡症

In William Gibson's cyberpunk series, homesickness and the longing to return home haunt the characters, especially in Neuromancer and Idoru, where the "wandering—homecoming" narrative pattern repeats. Both novels consider Japan as a place of wandering while regard America as home. By recalling the imagination of home and arranging the characters to return home, Neuromancer and Idoru reconsolidate the dichotomy of East and West, thereby presenting a retreating position that is contradictory to the "centerlessness" of the "cyber" and the subversive nature of "punk". Although in Idoru, the virtual "walled city" as a dream home for both human and virtual idols has the potential to break the East-West dichotomy, it also harbors the danger of romanticizing and exoticizing the East.

William Gibson  /  Neuromancer  /  Idoru  /  cyberpunk  /  homesickness
张睿颖. 赛博时代的“怀乡症”——以《神经漫游者》和《虚拟偶像爱朵露》为例. 科普创作评论, 2021 , 1 (2) : 73 -80 . DOI: 10.19957/j.cnki.kpczpl.2021.02.009
Ruiying Zhang. "Homesickness" in the Cyber Era: A Case Study of Neuromancer and Idoru[J]. Science Writing Review, 2021 , 1 (2) : 73 -80 . DOI: 10.19957/j.cnki.kpczpl.2021.02.009

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doi: 10.19957/j.cnki.kpczpl.2021.02.009
  • 首发时间:2026-07-14
  • 出版时间:2021-06-20
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    复旦大学中国语言文学系,上海 200433

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* 张睿颖,复旦大学中国语言文学系硕士研究生,研究方向为现代中国科幻文学、现代中国历史小说。
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2种不同金属材料的力学参数

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Genus
种数
Number of
species
占总种数比例
Percentage of total
species (%)
鹅膏菌科Amanitaceae 2 11 5.26 鹅膏菌属 Amanita 10 4.78
小菇科 Mycenaceae 2 12 5.74 丝盖伞属 Inocybe 5 2.39
多孔菌科 Polyporaceae 8 14 6.70 蜡蘑属 Laccaria 5 2.39
红菇科 Russulaceae 3 23 11.00 小皮伞属 Marasmius 6 2.87
小菇属 Mycena 11 5.26
光柄菇属 Pluteus 5 2.39
红菇属 Russula 17 8.13
栓菌属 Trametes 5 2.39
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